This study employs Jean Baudrillard’s theories of hyper-reality and simulacra to examine media representations during the Russia-Ukraine conflict. It argues that media coverage often constructs a simulated version of events rather than accurately reflecting reality. Through content analysis, the research explores how media from both sides disrupts the dissemination of information. The study highlights the media’s role as a constructor of reality, in line with Baudrillard’s assertion that modern media blurs the distinction between representation and the reality of war. The analysis shows that hyper-real portrayals evoke emotional responses, manipulate perceptions of military actions, and create spectacles that may desensitize audiences to human suffering.
Keywords: Russia-Ukraine Relations